No More Mistakes With DIGITAL CINEMA
Any experienced focus puller also known as First Assistant Camera or 1st AC, won’t hold an opposing view of the fact that DSLRs already outweigh the pros of film camera on the production lines. And the admiration with which they’re released and adopted is simply unbelievable.
Are you really worried about all that obsession? What you’re looking to is receiving a phone call from the producer, grab the gig, make it to the set promptly, and there you go – do what you’re good at – pulling focus. It hardly makes a difference what camera you decide to showcase your great talent.
You can find three creative ways when adapted, make focus pullers survive in the digital cinema they’re so fond of. Well, these adaptations might seem like taking a walk in the park for you, but don’t you forget each of them will play their respective role in the journey leading to an excellent career.
1. Comprehend Digital Procurement and Formats – There are some focus pullers who’re embarking on their journey leading to the world of the digital cinematography currently. It creates suddenly so clear that they can undergo the right training. Moreover, they will become proficient when operating a digital camera.
Have you been in this game for a long time? Then it is probably not the case. You can find endless digital cameras that experienced a change from the grass root level. Simply because these cameras were put into action by productions with an unhealthy budget.
As time passed by, the format was adopted a high amount of prominent Hollywood productions. So, it indicates that there are several 1st ACs who have not much experience with digital. Their experience is nearly next to none.
“In theory, there’s hardly any change in the job: Laying marks do not change, criticism still seems simple, and pulling focus isn’t smooth. But you need to comprehend a completely different group of technical information. Generally, you have to grasp the fundamentals of how image sensors operate, which cameras shoot the various file formats and much more.”
You always have to be prepared to cope with any problems (arising out of the blue). Maybe you won’t ever consider the notion of crack opening an electronic camera to fix it during a shoot, it’s important so that you can understand how it functions on the inside.
A focus puller should be the (go-to) technical person for several things regarding the camera.
Make a Sound Investment in Digital Specific Gear – Decreasing question people ask is what gear they should have within their toolkit. Well, it depends on what kind of a camera an individual uses to shoot on.
P.S – The tools that are used for a film camera seem unique of the ones used for a digital camera. Of course, there’s overlap, but you must know that there’s gear that is specific to one format.
Here are some items which focus pullers have in their bags which are stringently found in digital productions:
Audio Cables and Adapters
USB Lens Light
Memory Card Readers (SD and CF)
Well, it’s good to know information that none of the above-listed items are essential on a film set, but they’re good stuff to have (in the event).
Looking to continue to work in this industry? cinema distribution Then you’ll have to make investments in the forms of tools you need that can be used for digital cameras specifically.
3. No Need to Work with More Rehearsal Time – More likely to criticize me because of this one? Remember that I’m on your side no matter what. Not only do rehearsals play an essential role for focus pullers but they’re also essential to film crew. Once you practice a shot, it not merely helps you set up a flow but fix mistakes aswell. Not just that, it’ll also assist you to shorten enough time actually spent when shooting.
Ed Colman, an exceedingly talented cinematographer, once said: “If you are told to ‘shoot the rehearsal’ it’s not a rehearsal anymore.” However the undeniable truth (sounding unfortunate) is that rehearsals have become a priceless entity.
With digital cameras, both directors and assistant directors feel there is no harm with regards to rolling on the rehearsals. Even producers think alike. So when the rehearsals are being rolled on by these experts, they want to record it.
Gets the footage been thrown in for being shot? Gets the slate been clapped? Well, you’re pretty much taking a plunge straight into Take One whatever you call it.
Want to maintain your existence in this industry for long? You then have to make certain you pick up all you need. You should even learn to cope with the added pressure without rehearsals. However, you will see a constant dependence on rehearsals for several shots. And you will see times when you’ll be able to have one.
Don’t forget that almost always there is be a desirable need for Focus Pullers or First Assistant Camera, and crew who’s well aware of the technical side of the camera are designed for it without hassles.
In the end, it’s you who has to judge how you’ll adapt you to ultimately the ever-changing industry.